Sarah Silverman: "Nothing’s more attractive than an unending monologue about your shortcomings."
Carolyn Hax: "Sometimes surrendering to the awful is more useful than fighting it."
Graham Joyce: "why can’t our job here on earth be simply to inspire each other?"
Dan Harmon: "I believe in magic. I believe in mythology. I believe in shamanism. I believe that spells can be cast and I believe that random things coalesce and reveal themselves to be part of a plan we don’t control, you know."
Nora Ephron: "Never turn down a front-row seat for human folly."
McAlvie "The ultimate downfall of modern civilization won't be war; it'll be Twitter and Facebook."
Jenny Zhang: "A lot of writers swear by routine, but I swear by chaos. There’s enough fucking routine in my life. Every day I have to brush my teeth. Every day I have to smile at strangers. Every day I have to worry about money. Every day I want something I can’t have. Every day I find some way to go on! I know that writing every day for an hour would help me tremendously with writer’s block, but I also know that I need an element of wildness in my writing. I need to know that writing is something I do because it sets me free. It makes me feel golden with confidence. It gives me the gift of gab. I feel like a god. I feel like an entertainer. So write when you damn well please."
Joe Queenan: "If you have read 6,000 books in your lifetime, or even 600, it's probably because at some level you find "reality" a bit of a disappointment. People in the 19th century fell in love with "Ivanhoe" and "The Count of Monte Cristo" because they loathed the age they were living through. Women in our own era read "Pride and Prejudice" and "Jane Eyre" and even "The Bridges of Madison County"—a dimwit, hayseed reworking of "Madame Bovary"—because they imagine how much happier they would be if their husbands did not spend quite so much time with their drunken, illiterate golf buddies down at Myrtle Beach. A blind bigamist nobleman with a ruined castle and an insane, incinerated first wife beats those losers any day of the week. Blind, two-timing noblemen never wear belted shorts."
LogicalDash: "Nobody of any age should have to fend off sexual partners. That such defense is assumed as a part of the cost of adult courtship is suggestive of some more fundamental problem than age difference and its effect on consensuality."
Keith Richards: "I had to invent the job, you know," he said, earlier. "There wasn't a sign in the shop window, saying, "Wanted: Keith Richards."
Caitlin Moran: "As I started to reassess my writing style, I thought about what I liked doing--what gave me satisfaction--and realized the primary one was just... pointing at things. Pointing out things I liked, and showing them to other people--like a mum shouting, "Look! Moo-cows!" as a train rushes past a farm. I liked pointing at things, and I liked being reasonable and polite about stuff. Or silly. Silly was very, very good. No one ever got hurt by silly.
Best of all was being pointedly silly about serious things: politics, repression, bigotry. Too many commentators are quick to accuse their enemies of being evil. It's far, far more effective to point out that they're acting like idiots, instead. I was up for idiot-revealing.
"I am just going to be polite and silly, and point at cool things," I decided. "When I started writing, I would have killed to have one thing to write about. Now, I have three. Politeness and silliness, and pointing. That's enough."
Carolyn Hax: "Unless 15 years’ worth of mail has misled me, no one has ever found love through complaining about the lack of it, and no lonely person has ever felt better for hearing, “You just haven’t found the right person yet.”
David Simon: "Change is a motherfucker when you run from it."
Joe Queenan: "People who read an enormous number of books are basically dissatisfied with the way things are going on this planet. And I think, in a way, people read for the same reason that kids play video games ... they like that world better. It works better, it's more exciting, and it usually has a more satisfactory ending."
Dan Savage: "There isn't someone for everyone. Some of us do wind up alone, and that just fucking sucks and sometimes that stings, and you don't know if you're one of those people who's going to wind up alone until you die alone....So you kind of have to live in hope and build a life for yourself that's rewarding and fun, has friends and pleasure in it, whether you're alone or not."
the painkiller: "I will not be tagged, pinned, circled, liked, tweeted, retweeted or numbered."
Steve Jobs: "Of course it was impossible to connect the dots looking forward when I was in college. But it was very, very clear looking backwards ten years later.
Again, you can't connect the dots looking forward; you can only connect them looking backwards. So you have to trust that the dots will somehow connect in your future. You have to trust in something — your gut, destiny, life, karma, whatever. This approach has never let me down, and it has made all the difference in my life.”
Apple: "Here’s to the crazy ones. The misfits. The rebels. The troublemakers. The round pegs in the square holes. The ones who see things differently. They’re not fond of rules. And they have no respect for the status quo. You can quote them, disagree with them, glorify or vilify them. About the only thing you can’t do is ignore them. Because they change things. They push the human race forward. And while some may see them as the crazy ones, we see genius. Because the people who are crazy enough to think they can change the world, are the ones who do."
Miss Manners: "Please do not -- repeat, not -- make a hostile approach to knitters. Have you not noticed that they are armed with long, pointy sticks?"
Stephen Tobolowsky: "And of course, nothing is what I figured on in my life. That seems to be a recurring theme."
James Bulls: "When you find yourself walking a true path, you will know it because you will want to walk it no matter the burning Sun, freezing sleet, torrential rain, and treacherous ground. The risks become no less and the journey as always exhausts you, but your desire to brave the challenges never diminishes."
Amy Argetsinger: "Twitter is a disease, plain and simple. It makes people insane. A decade from now I expect the CDC and FDA will be issuing warnings."
Cary Tennis: "You don't have to "move on" either. Not until you're ready. People say, Oh, you should be grateful. They say, Oh, it's time for you to move on. I'm like, What are you, a cop with a nightstick? I'll move on when I'm done playing the blues on my harmonica, thank you very much."
Mark Morford: "It is 2011 and here is what we know: Reality is fluid, fact is malleable, cause and effect completely uncertain. We know what we don't know, but we also know the opposite."
Charlie Jane Anders: "Just remember, if you flinch from your destiny, you'll never achieve your true greatness — you didn't choose to be chosen, but being chosen means you have to choose."
Roger Ebert: "To put it bluntly, I believe the world is patriarchal because men are bigger and stronger than women, and can beat them up."
Myca: "Jesus is not the reason for the season, and there's no way I need to act like he is. Christmas is a stolen tradition. There's no reason we can't steal it back."
Lady Gaga: "I hate the holidays! I'm alone and miserable, you fucking dumb bit of toy!"
Dianna Agron: "I am trying to live my life with a sharpie marker approach. You can’t erase the strokes you’ve made, but each step is much bolder and more deliberate."
John Mayer: "It occurred to me that since the invocation of Twitter, nobody who has participated in it has created any lasting art. And yes! Yours truly is included in that roundup as well. Let me make sure that statement is as absolute and irrevocable as possible by buzzing your tower one more time: no artwork created by someone with a healthy grasp of social media thus far has proven to be anything other than disposable."
Vanessa, Something Positive: "I like 'em crazy. You hear insane rants, I hear a reminder that the sex is interesting. Oooh! Hear that? Tonight's gonna tingle."
Anonymous: “Your problem is that you want to be an artist. What you need to be is an artisan.”
Sugar: "Ask better questions, sweet pea. The fuck is your life. Answer it."
Wide Lawns: "Often very odd things happen to me. Usually they are not my fault and mostly beyond my control."
Anonymous reporter: “When weird shit happens around here, weird shit really happens around here.”
Anne Johnson: "Today some stranger sent me an email that said, "You are a nut case." Well, I must admit this never would have occurred to me. Everyone else is a nut case. I'm the sane one. I think."
Carl Mayer: "Whenever I start to feel like my life isn’t where I want it to be, “Cops” is there to put everything into perspective. Yeah, I haven’t made all the right moves over the last 34 years, but I’m not hiding from the police under a kiddie pool, either."
John Scalzi: "In retrospect, it’s a little weird to think that my entire future was falling into place as I obliviously tucked into the El Presidente chimichanga platter, but of course, that’s life for you — the most important days of your existence don’t always announce themselves in obvious ways."
Little Mermaid, Beauty and the Beast, Aladdin: "Luckily for the couple, the preachy fairy godmother from Belle’s dreams comes by and explains that she’s actually a fairy princess who was switched at birth. A fairy because her mother was a fairy, a princess because she’s the daughter of the beast’s uncle. In other words, his cousin. They marry anyway, because incest is a royal tradition."
This time it was Chloe who answered. "My life stinks," she said, her voice flat and precise. "I'm fat. I'm stupid. I have no friends. If I stay here, I'm somebody and I have a purpose." Her voice softened. "And I can hear singing in the sea."
They were determined, just as she and Jason had been, to grab the magic and gamble their happiness, because nobody ever understood the risks until it was too late."
"So if this is my first-sentence style, what do they all have in common?
• They start with the protagonist.
• She’s in an uncomfortable place.
• She’s in trouble.
• She’s angry.
• She’s in action.
Evidently when it comes to protagonists, I have a type.
One of the strongest ways to make a reader/viewer attach to a character is to saddle her with misfortune she did not cause, to put her into trouble she doesn’t deserve. Humans have a strong sense of justice pretty much by the time they can sit up and grab a sippy cup, so seeing something that isn’t fair can strengthen that reader-protagonist bond.
What she does with that misfortune is the next step: if she weeps or whines, we’re not going to want to stick around. If she stands up and says, “No,” gets mad, moves toward a goal, even if only by implication, we’ll root for her because we love a fighter."
"The problem with a KILLER first sentence is that you have to follow it. And if the first sentence is really killer, the second sentence is going to be explaining all the crap you put in your first sentence.
Because the second sentence is going to have to explain that Hell is just a bar and the Devil is this guy who got shot but not really and the ex-lover isn’t that important and neither is one of the two dead bodies and . . .
That first sentence is a splat that’s going to take me at least another half dozen sentences to pick up and dust off. It’s a terrible first sentence."
“Because that’s what gods are made of,” said Tsubarime. “Pain and loss and loved denied. I take people who are alone and I kill them and revive them seven times, and I feed them on nectar and I bury them alive, and it all crinkles up inside them and gives them so much power. And all the time they’re alone, and they only want to love. You understand that in Ipu. A real god loves and protects. That’s all that’s left of them when I’m done, the love and protection they never got, and they give it back so they can stay real.”
"But several months after writing “Apotheosis,” I looked at it again. And suddenly I realized that it was a completely blatant response to Ursula K. Le Guin’s classic story “The Ones Who Walk Away From Omelas.” I had read that story as a teenager and loved it, but I had probably taken it a bit more literally than I was meant to, because my first reaction was, “Why are you walking away? GET A GUN AND BREAK THAT KID OUT OF THERE.”
Life is a war, and all is fair in love and war. I’m doing this for Mom, because I love her. I’m doing this for Lara, because I can’t accept that her agony is useless. I’m doing this for me, because I need to survive.