Previous book here.
I find it hard to review a book that I had to listen to only--in this case, had to listen to twice to be able to write it--but since nobody else seems to have a review of the book online (I guess for that reason), I'll give it a shot.
It's a couple of years since the last book, and due to budget cuts (and losing the consulting with the cops gig Tony had in the last book), Tony's doing the occasional gray area job, like shooting a businessman who wants to get back to China ASAP. Tony goes for it and then when he goes to deposit some of his pay in the bank, a bank robbery happens. Of course the robbers can escape in this world by shooting each other, but when one of them stays dead--those 1 in 1000 deaths--that throws things off. Even worse, the guy who died turns out to be a dispatcher Tony knows and recently talked to, even if Tony turned down the "choke club" job. He still has some standards.
Anyway, Tony suspects--reasonably--that a bank employee who also got shot during the job was involved in it and kind of snoops around for his old sorta-buddy cop Langdon. He thinks that's the end of it, until Langdon's new nosy partner Bradley kills himself--or well, "kills himself," which kicks off a number of other suicides, or "suicides" because it seems unlikely that all of them would have made that choice. Bradley was investigating Tony since Tony has enough awkward coincidences going on with the case. Langdon thinks Tony needs protection, and she's not wrong, since it seems pretty logical to just about everyone else that Tony could very well be involved since he knows a lot of the people involved.
This one continues to delve into the implications of this world, which I appreciate, such as "how do you murder someone without technically murdering someone?" (see title) and "how do you threaten someone when death is only sorta on the table?" Even though Tony says he's a dispatcher because he never had any other skills, he's a sharp detective. There is a lot of strong coincidence in this one that makes Tony look guilty, but I did appreciate how all the pieces came together, and even stuff like the opening scenes and Tony's living arrangements turn out to all fit into a puzzle I wasn't expecting. Pretty cool.
If anything isn't super great in this, it's my kind of realizing that Tony....I dunno, needs some more inner life in some respects, perhaps? Hobbies? Something to him beyond just being a dispatcher/detective? He seems incredibly distant from everyone. He doesn't seem to have family or anything other than books and takeout. He has people he is "friendly" with but isn't friends with, and says this of about everyone. Does he have anyone he'd consider a friend? He doesn't really seem to have connections with anyone or attachments to anything. At one point Tony's apartment is burned down, and having had a friend lose his home in the fires recently so I'm at least a little aware of what shit he's going through, I kind of felt like this just....didn't affect Tony all that much? He's very drifter-y, I'd like to see Tony have some more to him than just the case. I can say that by the end of the book he's actually acknowledging that he's friends with Langdon, so there's that....
Zachary Quinto continues to do a great job of narrating and sketching out the various voices in this one. I really like him as a narrator.
Anyway, I look forward to book three Four stars.
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