Speed-Reading Book Nerd Reviews

Station Eternity

By Mur Lafferty.

"Chaos and shit follow me everywhere I go. I show up at a party, someone dies and someone else gets abducted by a passing alien ship? That doesn't happen everywhere." -Mallory

This is definitely "Jessica Fletcher" (or any other murder mystery magnet) "goes to space," and then it gets weird. 

Mallory Viridian is some kind of murder mystery magnet. She tends to be around when someone gets murdered, and she's able to identify the connections and the weird ways things happen. Unfortunately, this has gone terribly for with regards to trying to have a romantic relationship (she can't, someone dies), or frankly, doing much of anything. Most cops don't believe her, except one guy who isn't in the book much but has sworn to keep her out of being able to work in any criminal field. The only way Mallory can make a living is to write books based on her experiences.

Then First Contact happens, and various species make themselves known to the planet, and when Mallory ends up around yet another murder at a military base, she finds out there's an option to go move to a sentient space station, where very few humans are. Maybe if she's not around other humans, this won't keep happening. Sure, she has to become a research subject to a buggy hivemind species to make a living and eating in alien restaurants and figuring out what she can eat is an adventure, but at least she can make a few interspecies friends without issue. 

However, after moving to Station Eternity, one day Eternity decides she's willing to let a shuttle full of humans visit, and naturally Mallory is OH SHIT PEOPLE ARE GONNA DIE AND NOBODY LISTENS TO ME OH SHIT OH SHIT OH SHIT.  Also in a similar "oh shit oh shit oh shit" situation is her college friend Van, a military guy who's been involved in top secret shit and was also at the last murder Mallory was at. Upon ducking his own murder, he literally got picked up by some friendly/wasted aliens, and has also been hiding out on the station/human military for going AWOL. 

Why yes, it does seem like a coincidence that Mallory and Xan run into each other periodically, but that isn't the only one. Because once the station's symbiont being is killed and there's a horrible shuttle accident that takes out most of the passengers, Mallory finds out the survivors (and at least one deceased) have connections to her and/or Xan. Coincidence? Probably not. 

There's also a semi-confusing subplot about the Gneiss, a large rocky species that can transform themselves into shuttles or something else. Mallory and Xan have made friends with Stephanie*, Ferdinand, and Tina, a trio of Gneiss friends. Apparently Tina--the nice but dumb one--is some kind of Gneiss royalty, and Stephanie's royalty-obsessed grandfather the shuttle is somehow convinced that Stephanie might do something or other to Tina, which doesn't make sense, nor do the other two seem inclined to want to rule a planet. This turns into a whole thing involving transformation and most of the hibernating Gneiss in the station getting riled up... This was interesting, but frankly I'm not entirely sure if I got everything that was going on with this or why this was going on now. 

* I note there's a translator thing people get installed in themselves that translates names into what you can understand.

For those of you wondering if there's a romance, I'm gonna say "not really." Mallory is vaguely interested in Xan, but frankly, they're too busy and Xan seems averse to impulsive ladies. Well, maybe in the next book (one gets the feeling if there's a subtitle called "The Midsolar Murders," it may be a series).

I will say that the plot gets fairly convoluted--especially with certain alien things going on--but things do eventually make sense and get explained, particularly Mallory's "is she cursed or what" sort of affliction, which I'll discuss below the spoiler cut.

Beyond that, the various alien species in this are certainly inventive. I enjoyed getting to know the various suspects/murder victims in this, as some of them got particularly interesting or inventive in how they were handled. (Has someone told Seanan McGuire to read this book? There's a Manic Pixie Chaos-y Murder Girl in this she'll love.) The Brown family are also intriguing when you get to know them. There's also the concept that all the other species get into symbiotic relationships with other beings, and they think it's pretty weird that humans don't do that--well, the only things similar on their planet are parasites or cancer--and that whole concept gets some cool development. 

Overall the book is an entertaining chaotic-y mess, but does sort itself out into a satisfying resolution, thankfully. I give it four stars. I've been in January funk and while some books I'm literally taking months to read right now (why?!), I whipped through this in probably 24 hours, barring other things to do in life like theater. 

The Witness for the Dead

By Katherine Addison.

Previous book in the world here, though not particularly a sequel.  (Annoyingly, I can't recall when I read the first one and can't find it in a search.) This follows the work of Thara Celahar, professional Witness for the Dead, as he can sometimes pick up information  off dead bodies. (I note this isn't something that seems to go on all the time, or very dramatically.) The cases he deals with are:

• The murder of an opera singer, who sounds dreadful except for her voice. Thief, blackmailer, spendthrift, and general asshole. Hard to nail down one particular suspect there. I note that Thara is attracted to a composer at the opera, who is a suspect, albeit not a particularly strong one, but this seems to remind Thara of his previous romantic misfortune (apparently he was involved with a married dude who killed his wife...awkward).
• He gets asked to do his job to determine who was supposed to be the heir in a will, and then the very prominent family Objects Most Strongly to the results, harassing Thara and forcing him to go through an ordeal of being stuck on a hill with ghosts to prove his um, innocence. 
• He ends up on the trail of a guy who marries plain women with some money and then poisons them.
• He goes to another town to put down a ghoul, and then ends up helping a grandfather and granddaughter who have been separated to connect.
• While meeting said granddaughter, he ends up at the site of a horrible airship accident, and then gets harassed for not proving that someone did it deliberately.

This is kinda like following Columbo around on cases, I suppose. It's not a particularly deep novel like the last one, more procedural about different cases, no particular major personal development arc for the detective. But I enjoyed the reading of the mysteries. I just can't come up with much commentary on this, somehow? I'll give it three and a half stars. 

Caraval

By Stephanie Garber.

I'm not sure what is going on with this. 

Scarlett and (Donna)Tella are sisters with an abusive father, living on some kind of captive isle. Scarlett is obsessed with Caraval, some kind of magic show/game/thing her grandmother told her about it. She's written letters to the guy who runs it, Legend, asking that he come to her isle for years. But once she writes to tell him she's engaged (to some nameless count who writes nice letters), she finally gets an invite to Caraval, if she can just get herself to some other island. A suspiciously helpful "random" sailor named Julian helps the girls escape and then follows Scarlett into the game, for reasons of his own. The game turns out to be "find your sister 'cause Legend kidnapped her," and everything is mysterious and weird.

I can't say that things come out of nowhere in this one--I feel like things are set up in world and this stuff isn't out of the blue--but at the same time, things are confusing-ish, I suppose? Other players in the game don't really matter since the whole thing seems set up to deal with Scarlett's family drama. Weird, mysterious, magical things happen like having to literally die for a few days to get a dress (not worth it, I say). It's supposed to be all beautiful and mysterious and magical and mostly I was just "....I dunno, I feel as confused as Scarlett here." 

Scarlett's perennially vacillating between desperately trying to find her sister and developing the hots for Julian even though she doesn't want to. Julian's motives are god only knows what,  but he's hot and kind of helpful and Scarlett somehow trusts him anyway? They do give great hormones, though. Tella's not in the book much, but frankly she's kind of self-centered (even Scarlett thinks so) and probably not worth this much bother. However, I did enjoy a twist at the end regarding her that gave me much more respect for her character instead of always being a selfish bimbo-y girl. 

...I don't know. I wasn't quite in love with this one and wasn't sure if I was going to finish it? Maybe it's just a Not For Me But For Other People sort of thing. Three stars. 

Sense and Second-Degree Murder

By Tirzah Price.

Previous book in the same world here, though you really don't need to have read the first to get this one.

I LOVE the Dashwood sisters in this one. Elinor's a budding chemist. Marianne is a budding detective and helps her father in his detective business, and Margaret is a budding mystery novelist. Unfortunately everything goes to hell when their dad dies unexpectedly--presumably of poison--and their shitty brother John and SUPER SHITTY sister-in-law Fanny throw them out of their home and business. The girls investigate what happened to their father, which might have had something to do with the death of another budding female chemist. They also meet some eligible gentlemen: Edward Farrows (clearly the white sheep of the family, a secret sweetie), the overly-friendly Willoughby, and the standoffish-but-helpful Brandon (who is happily young enough in age in this for it not to be creepy). Lucy Steele hires the sisters to introduce her to "eligible gentlemen."

I love the Dashwoods in this! They are total feisty badasses! Even Elinor. I don't remember ever liking Margaret in other versions of this story, but she's great in this one (at one point she's all "I brought a smoke bomb!"). Elinor delightfully tells off her shitty brother and I was cheering. And then there's the smoking out of the murderer, which I won't quite spoil but I absolutely enjoyed the hell out of. Okay, I'll spoil it, but below the spoiler cut.

The only bad thing I have to say about this book is that at one point, someone vulnerable is clearly left alone for way too long with someone they should already pretty much suspect is a bad egg, and while everyone else is sorting out their whatevers, I wanted to yell, "Don't leave X alone with Y for so long!!!" I will note that my previous comments from the last book about "whoever's divey is probably whodunit" and "there's not that much romance but it's implied" still apply, but it didn't really bother me here? It's all very budding on the latter, and that's fine, and for me it wasn't so much whodunit so much as what-they-were-doing, I suppose. Not what I quite expected, but fit within the world.

Anyway, this is four and a half stars. VERY well done!

The Hawthorne Legacy

By Jennifer Lynn Barnes.

Previous book here.  I'm going to keep the public review of this vague, and then discuss details below the spoiler cut.

I liked this book a whole lot better than the last one, because it finally Gets Down To Business and actually works on explaining--WITH REASONABLE REASONS--why Avery was tapped to inherit the Hawthorne millions despite not genetically being a Hawthorne. (Which frankly was a whole lot better than what book one posits, i.e. Avery's birthdate and the anagram of her name. Come on.) I'll get into that stuff below the spoiler cut, but it's mostly actually a reasonable reason--or is for most of the book, anyway. There was a last minute swerve I DID NOT LIKE (sigh), but the book at least tries to justify it, I suppose. But I really enjoyed the mystery they had going on and unraveling the missing person case that's the heart of this book. We find out who's secretly related to who, including how Skye's idiosyncratic (also "duh") naming schemes for her children are pretty obvious as to their paternities, hah. And there's a past dramatic event that has kicked off everything, including the puzzles to solve. I liked how that worked. 

I did enjoy how most of the characters band together to work on solving the mystery, including helping Avery when she's unable to physically go to places.  I also like how Max at one point is actually liberated from her parents on her 18th birthday and happily joins in the case. There may be some vibe between her and Xander, as he'll make her some droids. That's very sweet. 

As for the romances: Avery vacillates between Jameson and Grayson in this book. I don't really get the "relationship" with her and Grayson, which seems to have some attraction, but Grayson mostly doesn't want to act on it and says he wants to stay friends, and frankly, he doesn't spend that much time with Avery for us to get to know him or care. Meanwhile, Jameson has personality out the wazoo and likes to hang out with Avery and nickname her and puzzle solve with her, and after awhile he is All In on this, and I was all "Jameson, I am down with you, please." I did like how Max suggested that Avery figure out which guy she wanted by imagining which one would come up to her if she was on a cliff alone. At first Avery is all "Actually, I imagine myself alone," but later, well... I'm good with it, I'll say that. 

What's not great: see below spoiler cut. I'm also rather stumped as to how Avery survives a near-death experience that involves a coma, but we don't even really find out what injuries she suffered and after she comes out of the coma, she's fine? Shouldn't that have been more injurious? Did she get burned? Unable to walk? Anything? It's also kind of unclear what happened regarding the rule that Avery can't spend more than 3 nights a month away from "home." Is there a loophole for the hospital? I'm unclear, but we're told the rule wasn't violated...somehow? 

I'm going to give it four stars overall because I think it's a vast improvement and fairly well satisfying compared to the last one, even if I'm a wee bit bothered by the one swerve. Good job! Now on to the spoiler discussion!

The Inheritance Games

By Jennifer Lynn Barnes.

Avery Grambs is just trying to get by. Her mom's dead, her dad's a deadbeat, and she's being nominally raised by her older sister Libby, who's in an abusive relationship and Avery's about ready to start living in her car to avoid that situation. She has dreams of going into actuarial science and making a life for herself as soon as she can.

And then out of fucking nowhere, she finds out that she's inherited billions of dollars from Tobias Hawthorne, a now-dead billionaire Texan SHE'S NEVER HEARD OF BEFORE IN HER LIFE. She's forced to live in the family mansion in Texas for a year and isn't allowed to throw out any of the mostly-disinherited family members, most of whom are reasonably cheesed off at not getting much money in the will. We're told the will is diehard, that if anyone challenges it they lose their money, and that in a previous will, Tobias planned to disinherit his entire family anyway and just give the majority of the money to charity. And no, Avery ISN'T in any way related to the Hawthorne family (DNA testing appears to have gone on quickly offscreen). SO WHY THE HELL DID SOME STRANGER GIFT A TEENAGER BILLIONS? 

All Avery gets in a posthumous letter from her benefactor is a note saying "I'm sorry." THE FUCK? 

Naturally, the female relatives in the family--Tobias's daughters and one confusingly-vaguely-related teen girl named Thea--Have Issues with this. And then there's four hot young grandsons ranging from 17-22 hanging around the house. Nash, the oldest "rescues" people and at one point was engaged to Avery's new lawyer (huh?). Grayson is suspicious of Avery. Xander and Jameson are friendlier and more intrigued, but particularly Jameson, who introduces Avery to his grandfather's obsession with puzzles and how this is all some kind of giant puzzle to be solved. 

So essentially this book is about solving the mysteries that a dead guy left behind, combined with the mystery of Dead Girl Emily--the housekeepers' granddaughter who had bad health and various entanglements with the teenagers. And Libby's shitty abusive boyfriend is all PAYDAY!!!!! and gets more and more horrendous as the book goes on, of course. 

I'll say this: it's intriguing, but not much is solved or resolved by the end of this, which I found VERY FRUSTRATING. By the end of the book you will only have slightly more of a clue as to "why Avery?" and I was really irritated by that. I also can't figure out for the life of me if I am supposed to be rooting for Avery to have any kind of romance with any of the Hawthorne boys. She kisses one of them, but seems to get attracted to at least the younger three at different points, and they're all a mix of "I'm not sure if they're good or bad or have ulterior motives or WHAT" here. Do I want her to be with any of them? Is that a good idea? HELL IF I KNOW WHAT IS GOING ON HERE.

I'm not even sure if I want to read the next book (though I did reserve it at the library, I admit it...), given how irritated I am at the finish of this one. I usually really like this author's books (The Fixer and The Long Game being my favorites for tricksy shit) and you'd think this is more of the same, but the vague open-door-ness of this one was just frustrating as fuck and as things went on and you're more like "I don't think much of anything is going to resolve here," uck. There's one Crucial Reveal at the end about someone we've barely heard of that suddenly becomes A Big Deal. I also kind of wondered at the attention paid to Avery's perpetually-locked-up best friend Max, who seems to only be there so Avery can't manage to have a conversation with her most of the time? The girl needs support outside of the situation and she can't get any, apparently. 

I don't know....it was just a frustrating experience for me to read this book. Kinda leaves a bad taste in the mouth when reading it made you annoyed and mad, and usually the author's a lot better at not doing that. Three stars. 

Pride and Premeditation

By Tirzah Price.

This alt-universe version of Pride and Prejudice has the Bennets as lower middle class working people, in which Mr. Bennet is a barrister with a business called "Longbourn and Sons" (I see what you did there) even though he only has Mr. Collins around to inherit. Lizzie desperately wants in the family business, but of course she's a woman. She tries to drum up some business by sneaking into jail to visit a guy who's been accused of killing his divey brother-in-law....that'd be Mr. Bingley. Of course Mr. Bingley's already got a barrister, his buddy Mr. Darcy, but Lizzie is on the case to figure out whodunit anyway.

I was...mildly into this and also kind of mildly finding it hard to stick with. I got it as a library book so that made me have to get through it more. It's both kind of interesting and kind of middling?  Maybe a bit slow somehow? Like I enjoy Lizzie as a more active detective, for sure, and it's less maritally obsessed. The Bingleys as a more broke family who keep having their ships pirated and a shitty brother in law is rather refreshing. One character ends up being more of a dynamic personality in this one. However, with regards to whodunit, well, you should presume that your least favorite characters in the original are Up To Something in this one. There's not that much romance in it by comparison, but this Mr. Darcy is a pretty nice bloke in the end. It did speed up with a lot more crazy action at the end, which I did like.

Though factually....I kept thinking "ain't no way a woman's going to be allowed to be a barrister" and I did some Googling and well, nope, not in Austen's time. Yes, the author took some liberties with that one, and I appreciated the author's note about the legal system back then.

Overall, three stars.

Fugitive Telemetry

By Martha Wells.

Previous (?) book here. 

This may be the first Murderbot book I'm not as into as the other ones. It feels more like a one-off episode rather than continuing story, and I think it takes place after the fourth novella but before the first full on book, so if you were hoping for the continuing adventures of ART and Murderbot, prepare to be disappointed. Instead, Murderbot is hired to investigate a strange murder on Preservation Station. Mensah and her people are in it a bit off and on, but mostly Murderbot is dealing with Indah, someone who isn't terribly thrilled to have Murderbot around or in her computer systems. 

There's nothing wrong with this one, other than (a) it does feel like a one-off side adventure and (b) there's not that much emotional development or relations. The fun of Murderbot is its conflicting emotions with humans, but somehow it doesn't feel like it spends enough time with anyone to really have any. Not that much super uncomfortableness (though Gurathin shows up for a bit!), Murderbot figures out mostly how to deal with Indah in a way that doesn't involve bad jokes, Murderbot figures out what's going on and who needs rescue, end of story.

I'm giving it three stars purely because I know darned well I'm not going to really remember the plot of this later, sigh.

Quotes:

• "I would have either disposed of the body so it was never found, or made it look like an accident." When asked about that, Murderbot replies, "If I told you, then you might find all the bodies I've already disposed of." Ratthi is all, "It's joking," and then privately says "Stop joking."
• Indah to Murderbot: 'You are the most paranoid person I've ever met, and I've worked in criminal reform for twenty-six years." "I don't even know how to respond to that. She's not wrong but hey, I need my paranoia."
• "All I wanted to do was watch media and not exist." YOU AND ME BOTH, MURDERBOT.
• Murderbot's response to being asked to the theater: "You know I don't like fun." Of course it goes anyway. 

Murder By Other Means

By John Scalzi.

Previous book here.

I find it hard to review a book that I had to listen to only--in this case, had to listen to twice to be able to write it--but since nobody else seems to have a review of the book online (I guess for that reason), I'll give it a shot.

It's a couple of years since the last book, and due to budget cuts (and losing the consulting with the cops gig Tony had in the last book), Tony's doing the occasional gray area job, like shooting a businessman who wants to get back to China ASAP. Tony goes for it and then when he goes to deposit some of his pay in the bank, a bank robbery happens. Of course the robbers can escape in this world by shooting each other, but when one of them stays dead--those 1 in 1000 deaths--that throws things off. Even worse, the guy who died turns out to be a dispatcher Tony knows and recently talked to, even if Tony turned down the "choke club" job. He still has some standards.

Anyway, Tony suspects--reasonably--that a bank employee who also got shot during the job was involved in it and kind of snoops around for his old sorta-buddy cop Langdon. He thinks that's the end of it, until Langdon's new nosy partner Bradley kills himself--or well, "kills himself," which kicks off a number of other suicides, or "suicides" because it seems unlikely that all of them would have made that choice. Bradley was investigating Tony since Tony has enough awkward coincidences going on with the case. Langdon thinks Tony needs protection, and she's not wrong, since it seems pretty logical to just about everyone else that Tony could very well be involved since he knows a lot of the people involved.  

This one continues to delve into the implications of this world, which I appreciate, such as "how do you murder someone without technically murdering someone?" (see title) and "how do you threaten someone when death is only sorta on the table?" Even though Tony says he's a dispatcher because he never had any other skills, he's a sharp detective. There is a lot of strong coincidence in this one that makes Tony look guilty, but I did appreciate how all the pieces came together, and even stuff like the opening scenes and Tony's living arrangements turn out to all fit into a puzzle I wasn't expecting. Pretty cool. 

If anything isn't super great in this, it's my kind of realizing that Tony....I dunno, needs some more inner life in some respects, perhaps? Hobbies? Something to him beyond just being a dispatcher/detective? He seems incredibly distant from everyone. He doesn't seem to have family or anything other than books and takeout. He has people he is "friendly" with but isn't friends with, and says this of about everyone. Does he have anyone he'd consider a friend? He doesn't really seem to have connections with anyone or attachments to anything. At one point Tony's apartment is burned down, and having had a friend lose his home in the fires recently so I'm at least a little aware of what shit he's going through, I kind of felt like this just....didn't affect Tony all that much? He's very drifter-y, I'd like to see Tony have some more to him than just the case. I can say that by the end of the book he's actually acknowledging that he's friends with Langdon, so there's that.... 

Zachary Quinto continues to do a great job of narrating and sketching out the various voices in this one. I really like him as a narrator. 

Anyway, I look forward to book three  Four stars. 

The Relentless Moon

By Mary Robinette Kowal.

This is the interquel to The Fated Sky, taking place on Earth/the Moon while Elna is off on Mars. Our narrator this time is Nicole Wargin: former ballerina, pilot, astronaut, and wife of the Kansas governor. She's 50 years old and getting annoyed that she's considered "old hat" these days socially, but is still involved in periodically working on the Moon colony.

And then just TONS AND TONS OF SABOTAGE starts happening everywhere around her. There's bombings, there's poisonings, there's sabotage, which feels like it's happening every other day. Nicole has high security clearance, so she's "read in" on how the Earth First organization, which is (a) rightly pissed at the fact that not everybody is going to be allowed to leave the planet, (b) also pissed that money is going to space and not to trying to improve things on earth, has now (c) decided to go terrorist and try to destroy the space program.

EEEEEEEEEEEEEEK.

So Nicole, a lady of special skills from Swiss boarding school and being EXTREMELY knowledgeable about codes, and social manipulation and engineering after being a politician's wife for so long, is told to be the secretary to the guy running the moon (note: she doesn't type) so she can investigate the situation. Just getting to the moon is dangerous under these circumstances, and Nicole finds herself investigating while having her dominant arm broken, having her anorexia triggered out the wazoo, all kinds of things going wrong, and strange blackouts happening every sixteen minutes. She's got amazing backup in having Eugene, Myrtle, and Helen on her side to help, and those characters really shine in this book. Like "Go Eugene!" in particular. But it's a very tense spy/mystery thriller sort of book this time rather than about the coolness of going to space, though sexism is still, as ever, a thing. 

Nicole is awesome. I love how she calculates all social stuff in her head, she strategizes, she works a plan. Though even as life gets more and more stressful, she's more and more affected even as she plugs on. 

I'll say this as someone reading during the pandemic and having a hard time again: I spent the day reading it pretty compulsively, but emotionally it was somewhat hard going at times. A Big Hard Thing does happen about two thirds of the way through the book that is sad-making. And well, since the polio vaccine didn't go so well in this universe, there's a polio outbreak on the moon somehow, but I will say that it's not fatal. 

I would like to say that I found page 90-91 to be delightful, as Nicole finds out about Nathaniel and Elma's secret messaging system. 

• 'I hope you don't think I am so delicate as to be shocked or offended by innuendo involving rockets, thrusters, or orbital insertions."
• "Men can be such delicate wilting flowers."
• "Honestly, their rocketry innuendo was embarrassing. They were married. Just say "dick" and "masturbate" like an adult. Poor innocent dears." 
• "I remember when I showed Elma my vibrator on the Moon and I thought she'd melt her spacesuit with the heat of her embarrassment. She's adorable."

BWAHAHAHAHAHAHAAH LOVE IT. I know I watched an interview with the author where she said that making space dick jokes is definitely a thing astronauts do.... 

This author is great at portraying loving relationships and happy marriages, and this continues with Nicole and her husband Kenneth, who may have differences of opinion but they are still close, even when on different planets. "Our marriage was strained and compromised in every direction, but the one thing i knew with absolute certainty was that Kenneth had my back." For various reasons it's not as happy/idyllic as other people, but it's still good, and hits the heart. 

I'm going to do some spoiler talk below the spoiler cut.

Anyway, I'm going to give it 4.5 stars. This is very good to read, albeit kind of emotionally hard going at times, but maybe that's just also the times I'm reading it in. Excellent job.